“Confession and Atonement in Contemporary Fiction: JM Coetzee, John Banville, and Ian McEwan”. “‘To Make a Novel’: The Construction of a Critical Readership in Ian Mcewan’s Atonement”. Search in Google Scholarĭ’Angelo, Kathleen. Story and Discourse: Narrative Structure in Fiction and Film. Search in Google ScholarĬhatman, Seymour. Perceptual and Motor Skills 55.2: 595–610.

Writing the Reader: Configurations of a Cultural Practice in the English Novel. Melbourne: Faculty of Education, University of Melbourne. Introductory Paper Presented at the Christian Identity and the Public Square Seminar, 17 March. It thereby aims to combine both narratology and personal psychology development to understand the effect created by the partial breaking of the fiction agreement at the end of the novel.īeswick, David. The article also proposes a narratological analysis about the conflict between the story and discourse, the different layers of fiction imbricated within the work and the effect that the last chapter has on the implied reader. McAdam’s six principles about ‘narrative identity’ can be applied to the character of Briony Tallis and her understanding of herself, which is the reason why the characters she creates as an author have the same approach towards their identity.

This paper attempts to prove that the narrative form and the characters’ identity are two themes closely related in Ian McEwan’s Atonement, so it studies the development of some characters throughout the different parts of the novel. From the very beginning of history, the quest for identity has been a recurrent topic for human beings and it has been consistently woven into stories and narratives.

The atonement ian mcewan